ultra violence



Federico Fellini, Oscar and coffee.


Federico Fellini, Marcello Mastroianni y Sophia Loren

Federico Fellini, Marcello Mastroianni y Sophia Loren


oldhollywood: Federico Fellini on the set of 8½ (1963). Photo by Tazio Secchiaroli “I discovered that what’s really important for a creator isn’t what we vaguely define as inspiration or even what it is we want to say, recall, regret, or rebel against. No, what’s important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It’s not what we say but how we say it that matters.” (via)

oldhollywood:

Federico Fellini on the set of 8½ (1963). Photo by Tazio Secchiaroli

“I discovered that what’s really important for a creator isn’t what we vaguely define as inspiration or even what it is we want to say, recall, regret, or rebel against. No, what’s important is the way we say it.

Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It’s not what we say but how we say it that matters.”

(via)


normalbates: Marcello Mastroianni, Sophia Loren and Federico Fellini

normalbates:

Marcello Mastroianni, Sophia Loren and Federico Fellini